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曽鲸字波臣,福建莆田人,明代后期著名的肖像画家。他的肖像画追求形象的逼真再现,与传统的文人画迥然不同。对于曾鲸的这种画风有人认为是吸收了西方绘画的技法,属于中西结合。如郑昶《书画鉴赏十六讲》中说:“查波臣流寓金陵的时候,正是利玛窦东来的时候;他目睹到天主像,天主母像;所谓烘染数十层者,乃是参用西洋法”[1]([p53)《简明中国画辞典》中也说:曾鲸“善画肖像,受西方绘画影响,注重明暗,用墨色干擦湿晕,多达数十
The whale word Borchen, Putian, Fujian, the late Ming Dynasty famous portrait painter. The lifelike reproduction of his portraits of portraits is quite different from that of traditional literati paintings. Some people think that this style of whale was a technique that absorbed Western painting and belonged to a combination of Chinese and Western cultures. Such as Zheng Chang, ”Calligraphy and Painting Appreciation Lecture“ said: ”Chapo Chen flow Jinling, it is the time of Matteo Ricci eastward; he saw the image of God, the image of God; the so-called baking dozens of layers “[1] ([p53]” Concise Chinese Painting Dictionary “also said: once whale” good portrait painting, influenced by Western painting, pay attention to light and shade, with ink dry wiping the wet halo, and more Dozens of