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本文从比较的视角出发 ,对大乘密教美术的色彩象征进行了精练深入的论述 ,色彩和象征的互动交融又体现了形式和内容的有机结合。
From a comparative perspective, this essay elaborates the color symbols of Mahayana art closely. The interaction of colors and symbols reflects the organic combination of form and content.