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诗书画一体是中国画典型的美学特质,中国画从诗画分离到诗画一体经历了漫长的流变,其中南宋是一个重要的转折点,也是规范的建立期。在这个时期,题写画种由院体画向文人画过渡,题写对象由题他人画到自题自画,诗画结合方式从诗画抗衡走向诗画协调。南宋之后,题诗上画逐渐完成,并形成特定的题诗规范,影响了之后千年的中国画美学特质。
The integration of poetry, painting and painting is a typical aesthetic feature of Chinese painting. The separation of Chinese painting from poetry and painting has experienced a long period of change. Among them, the Southern Song Dynasty was an important turning point and the establishment period of norms. During this period, the type of painting inscribed by the body painting to the literati painting transition, the subject of the inscription from the title of others to the topic self-painting, poetry and painting combination of poetry and painting from the counter to the balance of poetry and painting coordination. After the Southern Song Dynasty, the poem painting gradually completed, and the formation of a specific title poem norms, affecting the millennium after the Chinese painting aesthetics.