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我学习临摹国画大家李可染的作品时,发现大师绘画用笔如他自己所说,往往从无到有,然后又从有到无。也可以说是一个从简单到复杂,又从复杂到单纯的用笔用墨过程。整幅作品看似简单,实际上里面蕴藏着丰富的笔墨气韵。“无”不是不存在,是蕴含在丰富的笔墨中。“大道至简”的“简”不能理解为简单,而是繁复演变为精髓,表面上看似简单,实际上是经过了浓缩后的表象。千百年来关于养生的书籍可以说汗牛充栋,养生的方法也是成千上万;现在各种媒体关于养生保健的文章、视频更是让人目不暇接。原本很简单的道理和方法,出于各种原因,倒被搞得极其繁杂,让人无所适从。《黄帝内经》关于养生就一句话“法于阴阳,合于术数”。用今天的话说就是人所做的一切都要符合人和自然的规律,不能
When I was studying the works of Li Keran, a painter of traditional Chinese painting, I found that the brushstrokes of the masters, as he himself said, often range from nothing to nothing. It can also be said that from simple to complex, but also from complex to simple pen ink process. The whole work looks simple, in fact, which contains a wealth of pen and ink rhyme. “None ” is not non-existent, is contained in a wealth of ink. “Boulevard to Jane ” “Jane ” can not be understood as simple, but evolved into the essence of complicated, seemingly simple on the surface, in fact, after the condensed appearance. Thousands of years of books on health can be said to sweat, health methods are tens of thousands; now a variety of media articles on health, video is dizzying. Originally a very simple reason and method, for various reasons, was made extremely complicated, people know what to do. “Yellow Emperor” on the health of the sentence “law in the yin and yang, combined with the number of operations ”. In today’s words, everything that people do should conform to the laws of man and nature, and can not