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英国19世纪著名戏剧理论家威廉·阿契尔很早就在他的《剧作法》一书中提出，应该对“戏剧兴趣的整个领域”进行研究，以便总结出一整套系统的“关于戏剧兴趣的原理。”①遗憾的是，至今八十多年过去了，对于兴趣原理的研究仍然是我国影视剧艺术美学中的一个空白。可以说，检验
Well-known theater theorist William Appler of the United Kingdom in the early nineteenth century put forward in his book “The Dramatic Acts” a long time ago. He should study “the whole field of dramatic interest” in order to summarize a complete set of “ . ”① Unfortunately, so far eighty years have passed and the study of the principle of interest is still a blank in the artistic aesthetics of the film and television drama. Can say, test