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中国的美术教育经过了长时间的历史考验和审核,无论是教育制度还是教学模式,都已经逐渐成熟完善,它是历史宝贵丰富的遗产,并且具有起步晚发展快的特点。但是随着近几年就业压力的增加,大量美院艺术生毕业后便面临失业的危机,人们对现代美术教育开始产生了疑问。就业困难的矛头被指向了现在正在施行的美术教育,认为这种教育模式无法适应现代化的要求,应当立即被替换。中国现代美术教育是否真的一无是处,值得我们深思。当然,现代美术教育也并非没有一点瑕疵。尽管中国在美术教育的某些方面具有一定的优势和长处,但从整体与宏观上来看,我们面临的美术教育的现实不容乐观。
After a long period of historical test and examination, China’s art education has gradually matured, both in terms of educational system and teaching mode. It is a valuable and rich legacy of history, and has the characteristics of rapid development and late start. However, with the increase of employment pressure in recent years, a large number of art academies of the United States are faced with the crisis of unemployment after graduation. People have started to question the start of modern art education. The spearhead of employment difficulties is pointing to the art education that is now being implemented, believing that such an education model can not meet the requirements of modernization and should be immediately replaced. Whether China’s modern art education really does nothing, it is worth our pondering. Of course, modern art education is not without flaws. Although China has some advantages and strengths in some aspects of art education, the reality of art education that we face is not optimistic both in terms of the whole and from the macro perspective.