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姜宸英(1628-1699),字西溪,号湛园,又号苇间,浙江慈溪人,康熙三十六(1697)年进士,曾任《明史》纂修官,能诗文,工书画,精鉴赏,名重一时,著有《湛园集》、《湛园题跋》、《苇间诗集》。《清史稿》有传。清代书法,可粗略地划分为两类。一是取法“二王”,崇尚笔法精熟,结体秀润精巧的“帖派”;一是宗法碑版,用笔追求古朴苍劲,结字追求稚拙率意的“碑派”。姜宸英书法以“二王”为本,又深受元明赵孟頫、董其昌的影
Jiang Chen Ying (1628-1699), the word Xixi, No. Cham Park, also reed room, Cixi, Zhejiang, Emperor Kangxi thirty-six (1697) Jinshi, former “Ming history” compilation officer, to poetry, , Jingjian tours, famous moment, with the “Zhan Yuan Ji”, “Zhanyuan Postscript”, “reed poetry collection.” “History of Qing Dynasty,” there are rumors. Qing calligraphy, can be roughly divided into two categories. First, the method of “two kings”, advocating skillful brushwork, knot show Run exquisite “send”; one is the patriarchal version of the tablet, with the pen pursuit of simple vigorous, knot in pursuit of childlike intention of “insive”. Jiang Chen Ying calligraphy to “two kings” as the basis, but also by Yuan Ming Zhao Mengfu, Dong Qichang’s shadow