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民间舞中的“韵”曾经被视为这个舞种中的一种至高境界。而技巧的炫耀则居其后,不得民间主流之真味,学院派近年来也一直在注重“韵”之发生和培养。而对于观者来说,“韵”则在于动作内质的力量,举手投足之间微妙的关系,是一种独特的气质,能激起观者极大的审美情趣和审美快感。由于各种原因,大家逐渐在把“韵”神化,推崇到一种玄而又玄的东西,不可言传的存在,成了“气”,成了一种“道”。既然言传不得则趋向了盲目的动作堆切,走向了动作疯狂轰炸组合的道路,在越来越轻浮,华丽的动作中,我们依旧在茫然着,迷失了“韵”的真谛。
Folk rhyme “rhyme” was once regarded as a kind of supreme level in this dance. However, the technique of showing off is followed by that of the non-mainstream folk. The academic school has also been paying attention to the occurrence and cultivation of “Yun” in recent years. For the viewer, “rhyme” lies in the action of the endoplasmic force, gestures between subtle relationship, is a unique temperament, can arouse the viewer’s great aesthetic taste and aesthetic pleasure. Due to various reasons, everyone gradually deified the “rhyme” to a kind of profound and mysterious thing. The unspeakable existence has become “Qi” and has become a kind of “Tao.” Since words can not move toward the blind action heap, toward the action crazy bombing combination of the road, in the more frivolous, gorgeous action, we are still at a loss, lost “rhyme,” the true meaning.