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画乃心声。艺术之流传,贵在精神不在形貌。貌可习学而至,神非领悟不来。艺格之升降,互有低昂。然人品不高,用墨无法,犹当古今立言之旨。故画竹讲求必先得成竹于胸中,执笔熟视,乃追其所见。看大家作画,运筹帷幄,指点江山,笔墨虽未显纸素,盖由胸中已得,固已吞云梦之八九。前人强调画者“多读书,广见闻,有胸襟,勤习苦之人格界定,无疑是中国画艺格升降之撮要”。画中万象是画家借助笔墨表达理想感情的具体化,客观化。
Painting is the heart. The spread of art, your spirit is not the shape. Appearance can learn from, God does not come to understand. Art grid movements, each with low. However, character is not high, with ink can not, despite the ancient and modern literal purpose. Therefore, it is imperative that we first draw bamboo into the chest, write familiar, but chase what they see. Look at everyone painting, strategizing, pointing Jiangshan, although the ink was not obvious, covered by the chest already, solid cloud dream has been swallow 89. The predecessors emphasized that the painter “read many books, widely known, have a broad minded, diligent personality, is undoubtedly a summary of the ups and downs of Chinese painting.” In the painting, everything is the embodiment and objectification of the artist’s feelings and feelings through pen and ink.