论文部分内容阅读
【Abstract】Mencius， the sage of Confucianism in ancient China， advocated the theory “men are born good”; while Western Christian advocated “original sin”; Mao Zedong said， “The laws of nature are ruthless， it’s constantly changing”. This article is not discussing which viewpoint is correct， but using these three points to illustrate： the world is changeable， whether people are born “good” or “evil”， they will consciously or unconsciously integrate into the times， participate in social activities and undergo many changes in their growth. Therefore， just as drama is to fiction， cartoon， as an art of film and television， reflects life on the screen， often criticizes current disadvantages， leaving a meaningful aftertaste to the audience， and also brings enlightenment to children’s recognition of the world. This paper makes a comparative analysis of the images of female daimon in Chinese and American cartoons. On the one hand， to promotes cultural exchanges between China and the U.S.， so as to enhance the influence of Chinese film and television creation; on the other hand， to have a positive effect on children’s entry into the world.
【Key words】Chinese and American cartoons; female daimon; culture; education
【作者簡介】卢国荣（1971.06-），女，汉族，内蒙古赤峰人，内蒙古民族大学，教授，博士，研究方向：英语文学、比较文学、英语教学;张哲慧（1996.12-），女，蒙古族，吉林梨树人，内蒙古民族大学硕士研究生在读，研究方向：跨语言文化研究、玛雅与蒙古族神话比较研究。
Introduction
The villain is a kind of heresy that goes against the rules and breaks the rules in a system with independent basic order and code of conduct. According to Eugene A. Nida， culture is defined succinctly as the totality of beliefs and practices of a society. Thus system， rule， order and code of conduct are all symbols of culture. There is no doubt that the study of villain is the study of culture. For cartoons， the villain is a key element in strengthening the tension of the work and promoting the development of the plot. The images of female daimon， having their own traits， qualities， characteristics and power， especially draw people’s attention. Creators are devoting more and more attention to the role， and their shaping is more deep-going and detail-focused. Hence， three-phase patterns are to be singled out for a case study in order to shed light upon some facts and conclusions. The first stage is the vision images of female daimon via the multimodality theory， the representation of makeup， costume， intonation and body language; the second stage is the culture images of female daimon through the exploration of archetype and symbolic meaning; the third stage is corresponding references and enlightenment from two aspects of modern studio art and audience. By comparing similarities and differences， to learn from each other， enhance the competitiveness of China’s cartoon industry， improve cultural self-confidence and bring enlightenment to children’s recognition of the world. 1. The vision images of female daimon
Chinese cartoon has a history of 92 years since its creation. It has become an important part of Chinese cultural industry. In the history of the cartoon industry， the United States is in the
【Key words】Chinese and American cartoons; female daimon; culture; education
【作者簡介】卢国荣（1971.06-），女，汉族，内蒙古赤峰人，内蒙古民族大学，教授，博士，研究方向：英语文学、比较文学、英语教学;张哲慧（1996.12-），女，蒙古族，吉林梨树人，内蒙古民族大学硕士研究生在读，研究方向：跨语言文化研究、玛雅与蒙古族神话比较研究。
Introduction
The villain is a kind of heresy that goes against the rules and breaks the rules in a system with independent basic order and code of conduct. According to Eugene A. Nida， culture is defined succinctly as the totality of beliefs and practices of a society. Thus system， rule， order and code of conduct are all symbols of culture. There is no doubt that the study of villain is the study of culture. For cartoons， the villain is a key element in strengthening the tension of the work and promoting the development of the plot. The images of female daimon， having their own traits， qualities， characteristics and power， especially draw people’s attention. Creators are devoting more and more attention to the role， and their shaping is more deep-going and detail-focused. Hence， three-phase patterns are to be singled out for a case study in order to shed light upon some facts and conclusions. The first stage is the vision images of female daimon via the multimodality theory， the representation of makeup， costume， intonation and body language; the second stage is the culture images of female daimon through the exploration of archetype and symbolic meaning; the third stage is corresponding references and enlightenment from two aspects of modern studio art and audience. By comparing similarities and differences， to learn from each other， enhance the competitiveness of China’s cartoon industry， improve cultural self-confidence and bring enlightenment to children’s recognition of the world. 1. The vision images of female daimon
Chinese cartoon has a history of 92 years since its creation. It has become an important part of Chinese cultural industry. In the history of the cartoon industry， the United States is in the