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当“奥地利百年绘画展(1860—1960)”推向中围凹地(北京、辽宁、湖北和澳门)、展开近一年的巡展之旅时,我们不禁要问,是什么样的绘画作品可以代表“欧洲之必须”的奥地利。这个曾涌现过作曲家施特劳斯、勋伯格,精神分析学家弗洛伊德,人文学者卡夫卡,哲学家维特根斯坦,以及画家克里姆特、席勒、柯克西卡等享誉世界的大师的国度,将从绘画层面怎样来展现其艺术面貌与文化水准。该画展在中华世纪坛世界美术馆展出之初,就有传闻说缺乏名家之力作——可见,重要性遭到了质疑。但从事先拿到的桐关文章看,奥地利组织方亦有其考量与理
When the Austrian Centennial Painting Exhibition (1860-1960) was pushed to the mid-size recess (Beijing, Liaoning, Hubei and Macao) for a year-long tour, we can not but ask what kind of painting Austria, which can represent “the necessity of Europe”. This has brought together composers Strauss, Schoenberg, psychoanalyst Freud, humanist Kafka, philosopher Wittgenstein, and painters Klimt, Schiller, Kirkcalc Such as the world-renowned master of the country, from the painting level how to show its artistic appearance and cultural standards. At the beginning of the exhibition, at the World Art Museum of China Millennium Monument, there was anecdotal evidence that there was a lack of masterpieces of masters - and the importance was questioned. However, get involved in the article concerned Tongguan, the Austrian organizers also have their considerations and rationale