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几位戏剧界青年朋友聚合在一起,自编、自导、自演、自筹资金,在北京市剧协的支持下,以“火狐狸剧社”的名义向观众推出了他们的第一个剧目——《情感操练》。倾听他们热情奔放的构想,欣赏他们献出的作品,我深受感动。这一群体的组合方式,他们为处于危境中的中国戏剐寻找生路的求索精神,连同《情感操练》这一剧目的演出,都引发我思考很多现实性的问题。一近几年来,中国剧坛的处境相当严峻。过去,剧院面对票房价值低落的状态,曾经发生困惑:“观众究竟想看什么?”然而,这种困惑所带来的危机感,却可以从多方面得到消解。比
Several young theater friends gathered together, self-directed, self-directed, self-financing, self-financing, with Beijing Opera Association's support, in the name of “Fire Fox Theater” to the audience launched their first repertoire - “Emotion drills.” I was deeply touched by listening to their passionate ideas and appreciating the works they gave. The combination of this group of people, their search for a living spirit for the Chinese drama in crisis, together with the performance of the drama “Emotional Exercises” all led me to think of many realities. In recent years, the situation in Chinese theater has been quite harsh. In the past, the theater faced the problem of the low box office value: “What the audience want to see?” However, the sense of crisis brought by such confusion can be resolved in many ways. ratio