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诗人们可以借助分行来调和诗歌节奏,强调核心语句,创建语意空白,构建视觉美感。现代诗歌的言语形式是使其带来独特视觉体验的外部标志。具体而言,这种外部标志首先直接体现在段式也就是诗歌的分节与分行上。尽管对现代诗歌是否一定要分行仍然存在一定争议,如王力先生就认为现代自由诗的参差之分行,并不是它的本质特征:“自由诗之所以成为诗,只在于诗的境界,不在于分行书写。因此,散文分行书写并不能变为诗;反过来说,诗不分行仍不失其为诗。”(王力《汉语诗律学》,中国人民大学出版社2004年版)但公认的看法依然是:“分行不仅是对
The poets can make use of the branches to reconcile the rhythm of poetry, emphasize the core sentences, create the semantic blank, and construct the visual beauty. The verbal form of modern poetry is an external sign that brings with it a unique visual experience. Specifically, this external sign is first and foremost reflected directly in the section, that is, the verse and branch of the poem. Although there is still some controversy over whether modern poetry has branches or branches, for example, Mr. Wang Li thinks that the branch of modern free verse is not its essential feature: ”The reason why free poetry becomes poetry only lies in the realm of poetry, Is written in the branch .Therefore, the branch of prose writing and can not be turned into poetry; the other hand, the poetry does not branch without losing its poetry. “(Wang Li” Chinese poetry “, Renmin University of China press 2004 edition) But recognized The view is still: ”The branch is not only right