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自1993年开始的一年一度的中国艺术博览会于8月26日落下了帷幕。本届博览会自今年招展以来,得到了海内外艺术机构、经纪人和艺术家们的强烈反响,引人注目的是伊朗等八个国家和地区的加盟,使本届博览会更是异彩纷呈。博览会有别於纯粹的展览会,不能因为本届博览会没有顶尖的画家和高手的参展而感到缺憾。以经济效益为目的、带有商业性质的’97中国艺术博览会,客观地反映了当今中国艺术市场的真实面貌;浓厚的交易气氛和参展者的平和心态,表明我国艺术品的交易,正在从蹒跚学步而为健步前行。 以判定作品的时代归属和真伪忧劣为目的的古玉辨伪,必须从玉材、工艺、器形、纹饰、沁色、伤残及铭文等多侧面观察、比较,才能得出正确的结论。扬伯达先生几十年鉴赏和研究玉器的心得与经验之谈,对提高玉器收藏家的辨识能力,将会有所裨益。
The annual China Art Fair, which began in 1993, ended on August 26. Since the exhibition this year, this fair has received strong repercussions from art institutions, brokers and artists both at home and abroad. What attracts attention is the participation of eight countries and regions such as Iran, making the fair even more colorful. Expositions are different from pure exhibitions, not because of this exposition without the presence of top painters and masters feel regrettable. The ’97 China Art Fair’ with commercial properties objectively reflects the true face of the Chinese art market for the purpose of economic efficiency. The strong trading atmosphere and the peace mentality of the exhibitors indicate that the trade of art goods in our country is going from faltering Take a walk and walk forward. In order to determine the time of the work belong to the true and false for the purpose of jade identification, must be from the jade material, technology, shape, ornamentation, Qin color, disability and inscriptions and other multi-lateral comparison, can we draw the right in conclusion. The experiences and experiences of janitors during the years that Mr. Yang Boda has been appreciating and studying jade articles will be of great benefit to enhancing the identification of jade collectors.