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电影中的演员这一问题应当在我们电影艺术的研究工作中占有特别的地位。在我们的影片里有许多出色的和优秀的演员创作,关于这一方面是大有可谈的,不过我想谈一谈这个问题的另外一个方面。我试图来回答这么一个问题:为什么我们总是有一些不太好的演员创作和苍白无力的形象呢?电影中的演员创作有着特殊的困难,这是尽人皆知的。当你面前出现的不是观众厅,而是冷漠的摄影机镜头的时候,你就必须具备一种特殊的灵感、特殊的演员自我感觉,才能生活在形象中。同时,还有电影生产的特殊条件:不按顺序断断续续的摄制工作。
The issue of actors in the movie should have a special place in the research of our cinema art. There are plenty of excellent and excellent performers in our films, and there is much talk in this area, but I want to talk about another aspect of the issue. I tried to answer the question: Why do we always have some not-so-good performers and pale and weak images? The actors in the movie have special difficulties, which are well-known. When you are not present in front of the auditorium, but indifferent camera lens, you must have a special kind of inspiration, a special actor self-perception, to live in the image. In the meantime, there are special conditions for the production of films: the filming work that is not on and off in sequence.