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2006年“七一”前后,由浙江越剧团、杭州剧院艺术制作有限公司(杨小青工作室)和浙江省剧协三方携手出品的现代越剧《红色浪漫》隆重公演,给广大越剧观众以耳目一新的感受。近一年来,该剧经过反复的打磨与修改,赢得了更多观众的青睐和喜爱。近些年来,基于“样板戏”序列的“红色经典”再度公演系列,当其已经成为可以不争的演出场面后,其主要功能已经让位给培养年轻演员的主体目标,剧目原有的社会文化信息,在很大程度上已经被淡化了。当年的革命历史题材,要打造成今天观众所喜闻乐见的剧目,真正具备红色经典的意义和文化精品的格局,确实具备较大的群体接受难度。
Before and after the “July 1” in 2006, the modern opera “Red Romance” performed by Zhejiang Yue Opera Troupe, Hangzhou Theater Art Production Co., Ltd. (Yang Xiaoqing Studio) and Zhejiang Pangeon Triad . In the past year, the series has been repeatedly polished and modified to win more audiences’ favor and love. In recent years, based on the “model drama” series of “Red Classics” re-cast series, when it has become an indisputable performance scenes, its main function has given way to cultivate the young actor’s main goal, the original social culture of the repertoire Information, to a large extent, has been diluted. The theme of the revolutionary history of the year is to create the repertory of what the audience is loved and loved today. It truly possesses the significance of the red classics and the pattern of fine culture, and indeed, it possesses a greater difficulty of group acceptance.