冈崎义惠的“日本文艺学”思想溯源

• 作 者: 皮俊珺
• 机 构: 南开大学文学院天津外国语学院日语学院 天津300204
• 出 处: 社科纵横
• 发表日期: 2008年02期
• 关键词: 冈崎义惠 国文学 文艺学 美学 日本文艺学

师从著名国文学者芳贺矢一的冈崎义惠所大力倡导的日本文艺学却是国文学研究的一个反命题。“日本文艺学”的提出在日本国文学界甚至文坛都引起了轩然大波,并引发了几次围绕“日本文艺学”的大的论争。身为国文学者的他为何会“离经叛道”地提倡和推崇“日本文艺学”?这与时代因素、冈崎义惠本人的文艺、美学素养和国文学背景等等都有着很大的关系。

Japanese literature and art, advocated by Okazaki Yoshinori, a well-known Chinese-language scholar, Kazuhiro Haga, is a counterproposition to the study of Chinese literature. The proposition of “Japanese literature and art” caused great uproar in Japanese literary circles and even literary circles, and triggered several major debates around “Japanese literature and art”. Why did he, as a Chinese literary man, advocate and promote “Japanese literature and art” in his “deviant” way? This is very much in line with the contemporary factors, his literary and artistic accomplishments, his aesthetic accomplishment, and his literary background, etc. relationship.