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编者:卡蒂埃-布勒松的中国照片,与之前西方摄影师的照片区别何在?法国哲学家萨特在为卡蒂埃-布勒松的摄影集《从一个中国到另一个中国》写的长篇序言《中国故事》中,有深刻分析。萨特说以前的西方人到中国来,是一种“找出异常点的游戏”:“我剪发,他梳发辫;我用叉子,他用小棍;我用鹅毛笔书写,他用毛笔画方块字;我的想法是直的,他的却是弯的。你是否注意到他讨厌直线运动,一切都乱七八糟他才高兴”。(《中国故事》,让·保罗·萨特文,范
EDITOR: What is the difference between a Chinese photograph of Cartier-Bulleson and a photograph of a former Western photographer? Sartre, the French philosopher, writes about Cartier-Bulleson’s photo album “From One China to Another China.” In the long story of “Chinese story”, a profound analysis. Sartre said that before the Westerners came to China, it was a “game to find outliers”: “I cut my hair and he combed the braids; I used a fork and he used sticks; I wrote it with a quill , He used the brush to draw a block of characters, my thoughts were straight, he was bent, did you notice that he hated straight lines, everything was messy, he was happy. ” (“The Chinese Story,” Jean Paul Sattevin, Van