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我习篆力求写出自己的面貌,书写中有意识地加入行草书的用笔方法,以求增加篆书的书写性和流畅性。在篆书的学习方面,我主张当从《石鼓文》入手。我以为,通过《石鼓文》能上追三代古文,下启秦汉乃至清人小篆,是习篆的最佳途径。学习《石鼓文》,不仅能出入大小篆之间,还能在字理上解决文字学的困惑,梳理大小篆发展的历史。清代人已经对《石鼓文》等篆书进行了书写性的改造,且形成流派(或曰风格)者非常多,而其中我认为杨沂孙成就最
I learn to seal and strive to write their own appearance, writing consciously joined the cursive pen method, in order to increase the seal writing and fluency. In the study of seal script, I advocate when starting from “Shiguwen”. I think through the “stone drum writing” can be chased three generations of ancient Chinese, Qin and Han dynasties and even the Qing Dynasty seal, is the best way to seal. Learning “Shiguwen” can not only enter and exit between the size of the seal, but also in the phrasal philology to solve confusion, comb the size of the history of the development of seal. The Qing dynasty had written transformations on “Seal of the Stone Drums” and other seals, and the formation of genres (or style) are very many, but I think the most successful Yang Yisen