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在这个九月的一天,不阴不晴的一天中午,再一次来到长征空间。刘韡这个勤奋的艺术家又办个展了,怀着好奇与有所期待的心情首先进入了左面的展厅。但我又很快折回,因为正对门口的、被灰色帆布紧紧包裹的画框有一种特殊的历史味道。帆布底下的层层框架呈现出浅空间浮雕般的视觉效果,我留意到框架边缘帆布反复叠加的褶皱与固定走线挤压后存留的空气感,还有锈迹斑斑的帆布表面痕迹。暗忖:是时候进去看个究竟了。
On this September day, at noon on a cloudy day noon, once again came to the Long March space. Liu Yong, a hardworking artist, held a solo exhibition again. With curiosity and anticipation, he first entered the exhibition hall on the left. But I turned it back soon, because the frame that was on the door and was tightly wrapped in gray canvas had a special historical flavor. Canvas under the layers of the framework showed a shallow space relief-like visual effects, I noticed that the edge of the canvas frame repeatedly superimposed folds and fixed traces of air remaining after the squeeze, as well as traces of rusty canvas surface. Dark 忖: It’s time to look for it.