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25年前,当我第一次迈进朱老培钧先生的画室时,便被先生高雅的画品所感动,不太宽敞的画室墙上挂满了先生所画兰蕙竹菊之类。而其中画兰占了绝大部分。真可谓“芳草九畹,满目春风”。
When I first entered the studio of Mr. Zhu Lao Peijun 25 years ago, I was moved by her elegant paintings. The wall of the less spacious studio was covered with the pictures of Mr. Which painted blue accounted for the vast majority. Really described as “grass nine 畹, spring breeze.”