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关于《锅匠,裁缝,士兵,间谍》(下简称《锅匠》),假如你期待看到的是诸如《007》那样英俊潇洒无所不能的主角,充斥着高科技、美女以及子弹横飞场景的间谍片,恐怕就会大失所望。从方方面面看,《锅匠》就等同于詹姆斯·邦德系列的对立面,古董式电话,色调单一的西服,大多数场景都发生在沉闷的办公室内——没错,听上去很是乏味,可绝对惊心动魄。瑞典导演托马斯·阿尔弗莱德森因为那部著名的《生人勿进》而受到关注,此番接手《锅匠》,他继续展现北欧的简约冷峻,通过剪辑嫁接各个悬念,营造出令人不寒而栗的氛围。阿尔弗莱德森清楚如何通过一个眼神、一霎那的犹豫不决、一滴汗珠来揪住观者的心。
About the “Potter, Tailor, Soldier, Spy”, if you are looking forward to seeing handsome, omnipotent characters such as “007,” full of high-tech, beautiful women and bullets flying Scenes of spy films, I am afraid will be disappointed. In all respects, “potter” is the equivalent of the James Bond series, the antique telephone, the single-color suits, and most of the scenes happen in dull offices - yes, it sounds boring and Absolutely soul-stirring. The Swedish director Thomas Alfredson, who was caught up in the notoriety of being a stranger to life, took over the “potter,” and continues to showcase the simplicity and scruple of northern Europe, Chill atmosphere. Alfredson knows how to grasp the viewer’s heart with a glance, an instant hesitation, a drop of sweat.