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德国哲学家阿多诺有一句名言:在奥斯维辛之后,写诗是野蛮的。不过,诗歌并没有在二战后消失,而且,我们还有电影和电视。关于二战的影视,一直承担着大众对二战的纪录和解读的功能。从正面战场到敌后游击,从当权者到平民,从集中营到大屠杀,从爱情到亲情,从喜剧悲剧到黑色幽默,从战胜国视角到战败国视角……70年来,正是通过影像的记录,让我们不断走近那段野蛮与荣耀、毁灭与希望、邪恶与正义并存的历史。作为好莱坞最成功的导演,从《辛德勒的名单》开始,史蒂夫·斯皮尔伯格出品的二战片便成了战争电影的一个典范。如今,他又和汤姆·汉克斯合作了迷你剧集《太平洋战争》,让人再度审视那段历史。拍摄《拯救大兵瑞恩》的时候,他就说过,希望“被好莱坞洗过脑的观众能够‘站’在诺曼底海滩上,真正感受到历史的真实和不安”。借此机会,我们试图梳理70年来关于二战的影视作品。除了重温那段历史和了解后世的解读之外,更重要的是,从不同年代不同国家解读和阐释二战的作品中,我们可以看到二战后至今,每一个时代的印记。解读历史的本身,就是一种历史。正如法国历史学家马克·费罗在其著作《电影和历史》中写道:“电视图像在一个消费了它的社会,将充当历史文献和历史代言人。”
Adorno, a German philosopher, has a famous saying: writing poetry is barbaric after Auschwitz. However, poetry did not disappear after World War II, and we still had movies and television. About World War II film and television, has always assumed the public’s record of World War II and interpretation of the function. From the frontal battlefield to the enemy rear guerrillas, from the people in power to civilians, from concentration camps to massacres, from love to family ties, from comedy tragedies to black humor, from the perspective of the victorious nation to the defeated nation ... It is through the recording of images Let us keep moving closer to the history of savageness and glory, destruction and hope, and the coexistence of evil and justice. As the most successful director in Hollywood, from the “Schindler’s List”, Steve Spielberg produced World War II films became a model of war movies. Now, he and Tom Hanks co-produced the mini-series “Pacific War”, people once again look at that period of history. When filming “Saving Private Ryan,” he said he hoped that “the Hollywood-washed audience can ’stand’ on the beach in Normandy and truly feel the truth and anxiety of history.” With this opportunity, we try to sort out the 70 years of World War II film and television works. More importantly, in addition to reviewing the history and understanding of future generations, more importantly, we can see the imprint of each era since World War II and from the works of different countries interpreting and interpreting World War II. Interpretation of history itself is a history. As French historian Mark Ferro wrote in his book Film and History: “Television images, in a society that consumes it, will serve as a historical documentary and historical spokesperson.” "