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审美活动必然受到社会文化环境的深刻影响,这一论断在今天的美学领域已经近乎公认。电影作为一种具有高度产业化特征的艺术形式、作为一种后“印刷时代”的传播媒介,典型地体现出艺术作品的旨趣受到社会文化环境影响和艺术创作过程中创作主体与消费主体间的复杂互动。由此,电影文本具有纪录某一社会文化环境下人们在建筑、服饰、饮食、音乐、化妆等诸多方面审美趣味的功能,而电影深层文本则具有在更为宏大的时空维度下
Aesthetic activities are bound to be deeply influenced by the social and cultural environment. This thesis is almost recognized today in the field of aesthetics. As an art form with a high degree of industrialization, the film as a medium of post-printing era typically reflects that the purport of art works is affected by the social and cultural environment and the creative subject and the consumer body in the process of artistic creation Between the complex interaction. As a result, the movie text has the function of recording the aesthetic taste of people in many aspects such as architecture, clothing, food, music, make-up and so on in a certain social and cultural environment, while the movie deep text has the function of being magnified in a more spatiotemporal dimension