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前言美国摄影史学者万·德里恩·科克(Van Deren Coke)从影像的意图、内容及形式特质等方面出发,将现代摄影分为四大走向:1.与立体派和结构主义结合的“形式主义”(Formalism);2.盛行于1930年代欧洲和稍晚美国的“超现实主义”;3.经由影像呈现对周遭心理及情感反应的“表现主义”;4.从“极限艺术”脱颖而出,结合“身体艺术”(Body Art)、“观念艺术”(Conceptual Art)以及语言为一体的多元论综合方向。20世纪中期“现代艺术”出现许多非传统艺术体系的思想,而到了科克所言的极限艺术之后的多元论时期,艺术家的创作甚
Preface Van Deren Coke, a American scholar of photographic history, divides the modern photography from four aspects: the intention, the content and the characteristics of the form. “Formalism”; 2. “Surrealism” prevalent in Europe in the 1930s and later America; 3. “Expressionism” in response to psychological and emotional reactions to the world through video; From the “extreme art” stand out, combined with “Body Art” (“Body Art”), “Conceptual Art” (Conceptual Art) and language as one of the pluralism integrated direction. In the mid-20th century “modern art” appeared in many non-traditional art system thought, and to Cork’s limit art after the pluralist period, the artist’s creation is very