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上世纪初,日本著名戏曲史家青木正儿在他自称续王国维《宋元戏曲史》的《中国近世戏曲史》中,首次在国际视野中将汤显祖与莎士比亚相提并论:显祖之诞生,先于英国莎士比亚十四年,后莎氏逝世一年而卒(此处有误,当是同年而逝——引者注),东西曲坛伟人,同出其时,亦奇也……汤显祖不仅于戏曲上表现其伟大,即其人格气节亦颇有可羡慕者,谱之入曲固为吾党所快者。
At the beginning of the last century, the famous Japanese opera historian Aoki Masaharu put Tang Xianzu and Shakespeare in the international perspective for the first time in his “History of Chinese Opera in the Song and Yuan Dynasties” In the fourteen years of Shakespeare in England, Shakespeare died a year and died a year (the mistake here is when it passed away in the same year) Opera performance of its great, that is, its personality is also very envious of temperament, the spectrum of music into the song for my party.