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王国维曾说:“如绘画是八重天,那书法就是九重天。”古人对于书法的热爱之情溢于言表。书法是中国人的图腾,气韵生动的笔墨图式,成就了其笔笔不同却念念相续的情感世界,有了书法才有了静若太古、转瞬千年的沧桑寻悟,这是书法的魅力,也是书法家的独有创造力所在。随着文化多元化的发展,很多人开始大肆提倡书法创新与时俱进,与此同时,传统派则认为书法是传承我们文化、维系我们血液的文化基因,如若为了迎合所谓的趋势,书法内在的文化底蕴势必会遭到冲击及破坏,终究会落入“四不像”的境地。我们到底需要什么样的书法,这是一个值得我们关注和思考的问题。
Wang Guowei once said: “If the painting is eight-day, that calligraphy is a supernatural power.” “The ancients love of calligraphy is overflowing. Calligraphy is a Chinese totem, vivid style of ink and calligraphy, the achievements of its pen and pen is different, but the concept of the emotional world, with calligraphy have quiet if too swift, thousands of years of vicissitudes of life, which is calligraphy Charm, but also the unique creativity of calligraphers. With the development of cultural diversification, many people began to advocate the innovation of calligraphy with the times. At the same time, the traditional school thought that calligraphy is the cultural gene that inherits our culture and maintains our blood. If we want to cater to the so-called trend, Cultural background is bound to be hit and destroyed, and will eventually fall into the ”four no " situation. What kind of calligraphy we need in the end, this is a question worth our attention and thinking.