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与《旧唐书》相比,《新唐书》并没有改变对初盛唐时期文人传记的采纳格局,只是相应地改变了入传者的次序安排和书写方式。而对于中唐文人的相应调整则变化很大,对文人集团的认定更为严谨。“大历十才子”这一提法在《旧唐书》中已经出现,但是并没有作为主要的叙述对象,他们甚至没有获得附传的资格,而仅仅只是在子辈传记中被述及;《新唐书》则将他们纳入“文艺传”中,“大历十才子”作为一个专有诗群出现,传记则以卢纶为中心直接引出。“大历十才子”被作为一个书写单元纳入“文学”专门的区域进行处理,虽然在文字的数量上未必增加多少,然而确立了明确的书写中心,对文人群体的重视程度也是显而易见的。
Compared with “Old Tang Book,” “New Tang Book” did not change the adoption pattern of literati biographies in the early years of the Tang Dynasty, but only changed the arrangement and writing style of the readers accordingly. However, the corresponding changes to the literati in the Tang dynasty have changed greatly, and the scholars group is more rigorous. “The phrase” Ten Talents of the Dali “has appeared in Old Tang, but not as the main object of the narrative. They did not even get attached to the fictional biography, And ”New Tang Dynasty Book“ put them in ”Literary Biography“, ”Dazhui Ten Talents“ appeared as a proprietary poetry group, while biography took Lü Lun as the center. ”The Ten Talents of the Dali“ are treated as a unit of writing in the special area of ”literature." Although the number of characters is not necessarily increased, a clear writing center is established and the emphasis on literati groups is also Obvious.