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当历史行将告别二十世纪的最后几年,随着社会物质文明的高度发展,电子电声乐器和音响设备的现代化,为音乐提供了许多前所未有的表现手段。二十世纪下半叶出现的十二音音乐,序列音乐、具体音乐、电子音乐、偶然音乐镶嵌组合音乐等流派和样式,它们或先或后,各树一帜,形成了一个多元化的格局。本期刊出的叶林教授《电子音乐与具体音乐》一文,就是想让读者在多元化的音乐世界里,引起一些仔细的分析和思考,因为这不仅仅是音乐理论的历史任务。
When history is about to bid farewell to the last years of the twentieth century, with the high development of social material civilization, the modernization of electronic electroacoustic instruments and audio equipment has provided music with many unprecedented means of expression. In the second half of the twentieth century, genres and styles of twelve-tone music, sequence music, concrete music, electronic music, and inadvertently musical inlaid composition music were formed, and they were preceded and followed by different schools to form a diversified pattern . This issue of Professor Ye Lin, “Electronic Music and Specific Music,” is a text that wants readers to arouse some careful analysis and reflection in the diverse music world, because this is not just the historical task of music theory.