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京剧演现代戏,虽然有过一段不算很短的历史,但它的曲折和反复,特别是十年动乱极左思潮造成的恶果,给今天现代戏的编演带来了许多困难,其中包括思想上的阻力、艺术上的桎梏以及观众的冷漠等等。因此,要重新取得现代戏编演的成功,需要克服形形色色的障碍,突破重重叠叠的关口。不能不承认,不少京剧工作者曾经望而却步而另觅他途。但是,中国京剧院的同志们却知难而上,艰苦求索。由吕瑞明、陈延龄编剧,阿甲担任艺术指导,张东川、史燕生、荀皓、常桂祥、任凤坡导演的《恩仇恋》,就是一场思想上与艺术上拚搏的可喜成果。它以具体的实践,在一定程度
Although Beijing Opera has played a relatively short history in history, its twists and turns, especially the devastating effects of the ten-year turmoil and ultra-leftist ideology, have brought many difficulties to the performance of today’s modern drama. These include the ideological Resistance, artistic shyness and the indifference of the audience. Therefore, in order to regain the success of the modern drama series, we need to overcome all kinds of obstacles and break through the overlapping barriers. Can not but admit that many Beijing opera workers have been prohibitive and find another way. However, comrades at the Chinese Peking Opera Theater know the difficulties and make painstaking efforts. It is a gratifying achievement both ideologically and artistically that the filming of “Grace and Love” directed by Lv Shui-ming and Chen Yan-ling, and a director of arts, Zhang Dongchuan, Shi Yansheng, Xun Hao, Chang Guixiang and Ren Fengpo. It takes concrete practice to a certain extent