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西影新片《老井》和《红高粱》相继在国际重大电影节上获大奖。消息传来,举国振奋。人们在为西影的成就感到欢欣鼓舞的同时,也自然而然地想到上影。为什么在国际电影节的角逐中好久未见有上影的作品夺魁?为什么在一九八七年上海电影市场上最上座的前十部影片中,上影却只有一部(一九八六年上影占一半)?为什么亏损节目由一九八六年的百分之二十七点七上升到一九八七年的百分之六十七点七,并有增长趋势? 是上影的创作力量或技术力量不足吗?否。上影有着一支富有艺术才能和丰富的创作经验的创作队伍,有自己的优良传统和高水平的制作技术。那末,究竟是什么原因使得上影在竞争中竟明显地呈现出不大景气之状呢? 笔者认为,上影欲图新崛起首先必须转变观念。长期以来,上影成了影坛上的『老大』,上影自己架子也很大。为了保住这个声誉,上影的求稳思想显得十分突出,包袱愈背愈重。摄制影片往往只求『政治上无过』上级能开『绿灯』就行,就连青年导演拍片
Western movie “Old Well” and “Red Sorghum” have won awards at major international film festivals. The news came, the whole country is exhilarating. People are rejoicing at the achievements of the Western film, but also naturally think of it. Why did not the film industry win the foremost in the competition for the International Film Festival in the long run? Why is there only one film on the top 10 films in the Shanghai movie market in 1987 (1986 Why is the loss-making program rising from 27.7% in 1986 to 67.7% in 1987 and showing an upward trend? Is there any lack of creative or technical skills? Shanghai Film has a creative team full of artistic talents and rich creative experience, with its own fine tradition and high level of production technology. So, what is the reason that makes the shadow in the competition actually showed a significant booming? In my opinion, the image of the new rise must first change the concept. For a long time, the film became the film’s “boss”, the film itself is also a large shelf. In order to keep this reputation, the film’s idea of stabilizing appears to be very prominent, the burden more and more weight. Filming films often only seek “no political” superiors can open “green light” on the line, even the young director filming