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他们都是六十、七十年代生人,鲜有系统的电影理论,往往容易被生活感动;他们曾经长时间站在大师的影子里,通常不认为自己具备某种天分,从而是一群信奉努力的理想主义者;他们性格谦和而又坚强,清醒而又自省,相信个人命运与时代密切相关;他们在自己的艺术道路上绝不东张西望,纯粹,他们是小众的,但是艺术的;他们关心当下人的生存处境和内心世界,也相信电影的形而上功能,唤起人性中被遗忘的细节,他们通常被认为坚持着
They are all students of the 1960s and 1970s. Systematic movie theory is often easily touched by life. They used to stand in the shadow of the masters for a long time and usually do not think they have some kind of talent and thus are a group of believers Hardworking and idealistic; they are modest yet strong, sober and introspective, believing that personal destiny is closely linked with the times; they are not looking their way through the arts; they are niche but artistic; they are Concerned with the living conditions of the present person and the inner world, but also believe that the metaphysical function of the movie, evoking the forgotten details of human nature, they are generally considered to be persistent