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一当我面对王宏剑的油画《楚汉相争·鸿门宴》时,那段熟悉的历史故事在我的眼前活灵活现了。至少在我的阅读经验及想象中,没有拂逆之处,但能出乎意外。所谓拂逆,即与文献描述的事件情节相悖;所谓意外,即能独构一种叙述语境,在特定的瞬间看到你未曾想到的东西,并通过形象直逼你的心灵,我们常说,那是被触动了。一段停留在文字上的历史,被转换成了视觉的图像,画家提供给我们的观看视角,成为解读的关键,其中充满难能
When I was confronted by Wang Hongjian’s painting “The Battle between Chu and Han Banquet”, the familiar historical story vividly appeared before my eyes. At least not in my reading experience and imagination, but not surprises. The so-called reversal, which is contrary to the story described in the literature; the so-called accident, that is, a narrative context can be seen at a particular moment you never thought of something, and through the image of your soul, we often say, It was touched. A period of history, stuck in the text, is transformed into a visual image, and the viewing angle provided by the artist to us becomes the key to interpretation. It is full of difficulties