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影视题材的上海热,可能已经成为1995年中国文化界的最重要现象之一。关于个中缘由,自然有文化的和商业的因素,而这些,包括我自己在内的不少评论家已经作了深入的分析。然而,我仍然在想,除了这些商业和文化动因之外,是否还蕴涵着一个更为深刻的影视话语的转型? 我们知道,中国的现代话语是从五四以后开始的。五四新文化运动尽管伴随着一场文学的革命,
The hot Shanghai theme of film and television may have become one of the most important phenomena in the Chinese cultural circle in 1995. There are a number of reasons for this, both natural and cultural and commercial, and many of these critics, myself including myself, have conducted in-depth analyzes. However, I still wonder if, in addition to these commercial and cultural motivations, there is a deeper transformation of the film and television discourse. We know that the modern discourse in China started after the May Fourth Movement. Although the May Fourth New Culture Movement accompanied by a literary revolution,