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日本影片《诱拐》堪称是一部惊险影片的佳作。试析一下它在掌握惊险影片的特性上所取得的成绩,对于我国惊险影片的创作想来是不无借鉴意义的。何谓惊险片?惊险片一般都有曲折、离奇、惊险的故事情节,利用各种惊险场面,以取得特殊的艺术效果。相比之下,《诱拐》情节是简单的。它写一个叫古屋数男的人,由于欠债,劫持小学生三田村英之,以此要挟他父母交出三千万日元的赎金。影片中惊险的场面也并不多。但是,当观众看这部影片时,都有一种紧张得透不过气来的感觉,而且,它始终吸引着你看下去。这其中的奥秘在靠里?创作者是如何取得这种效果的呢? 情节简单,构思奇特。这是《诱拐》第一个特点。影片开始运用了一组慢镜头:小学生英之在放学回家的道上,刚刚走出桥洞,就被突然飘下的大布袋给罩住了。这一怪异、神秘莫测的开头一下抓住了观
Japanese film “abduction” called a masterpiece of adventure movies. Try to analyze what it has achieved in mastering the characteristics of a thriller film. It is not without reference to the creation of a thriller film in our country. What is thriller? Thriller generally have twists and turns, bizarre, thrilling storyline, the use of various adventure scenes, in order to obtain special artistic effect. In contrast, the “abduction” plot is simple. It wrote a man called the number of ancient houses, due to debt, hijacking primary school students Tamura Tamura, in order to threaten his parents to hand over ransom 30 million yen. There are not many thrilling scenes in the movie. However, when the audience watches the film, there is a feeling of nervousness, and it always captures you. How does the creator achieve this effect? The plot is simple and the idea is strange. This is the first feature of abduction. The film began to use a set of slow motion: the pupil of Britain in the way home from school, just walked out of the bridge, was suddenly under the big bag to float over. This weird, mysterious at the beginning captured the concept