论文部分内容阅读
空白,原指书画作品中笔墨未涉及之处,介人文学以后,其涵义就更为广泛起来,它既指物理领域的语言文字的形式空白,也指心理领域的审美意象空白.文学的审美和创作都具有空白的特征.空白的观念和形式在文学审美和创作中发挥着无以替代的独特作用,因此对文学空白的界说,有助于我们对文学空白艺术的把握和认识,对于文学的审美和创作有着积极的意义.一、具象有向空白文学中的具象有向空白是指文学作品中,作家在以点代面,以少总多,不画全龙而点“一鳞一爪”过程中,在语言文字和整体意象上所表现出的断层、间隔、空缺、空白.然这种空白是具象的,且是有向的,是“化白为黑”的手法运用.作家对意象有完
Blank, originally refers to the works of calligraphy and painting is not involved in the ink, after the intervention of literature, its meaning is even more extensive, it both refers to the physical field of language in the form of blank, but also refers to the psychological area of aesthetic image of the aesthetic aesthetic And creation have blank features.The blank ideas and forms play an irreplaceable and unique role in literary aesthetics and creation, so the definition of literary blank helps us to grasp and understand the literary blank art, Literary aesthetic and creation has a positive meaning.First, the concrete blank space of the specific literature has a blank space refers to the literary works, writers in the point of surface, with less total, not the whole point of painting “a scale In the process of ”one claw," the faults, gaps, vacancies and gaps in the language and in the overall image are manifestly empty, concrete and directional. The writer has finished with the image