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接受美学发端在20世纪60年代后半期的联邦德国。接受美学的理论,对整个美学发展史而言,是一块重要的里程碑。它改变传统研究视野,把研究重点转移到读者及阅读活动上。笔者试图从接受美学理论视角,分析中国古诗英译过程中译者多重角色的能动性发挥对成功译诗产生的必要性与重要性,即在汉诗英译过程中,译者既是读者、作者,又是创造者、研究者。
Federal Germany, which embarked on aesthetics in the second half of the 1960s. Accepting the theory of aesthetics is an important milestone for the entire history of the development of aesthetics. It changes the traditional research perspective and shifts the focus of research to readers and reading activities. From the perspective of aesthetics, the author attempts to analyze the necessity and importance of the initiative of multiple roles of translators in the process of translating Chinese ancient poems, that is, during the process of translating Chinese poems, translators are not only readers, authors, Again creator, researcher.