《昆剧折子戏研究》序

• 作 者: 刘祯
• 机 构: 中国艺术研究院戏曲研究所,
• 出 处: 戏曲研究
• 发表日期: 2013年01期
• 关键词: 上海昆剧团 古老剧种 舞台艺术 舞台化 舞台表演 舞台演出 文本层面 准备性 戏剧形式 呈现形态

2010年6月上海世博会期间由上海昆剧团主办的“古戏薪传——首届中国四大古老剧种同台展演座谈会”上,笔者在发言中曾说道:“不能欣赏折子戏的观众,不是真正懂戏的观众。”这话说得也许不够严谨周密,但窃以为可以窥探洞悉戏曲的堂奥。这也是折子戏存在和发展的特点所在,戏曲的魅力所在。对折子戏研究的关注,是戏曲研究对舞台表演研究关注走向深人的表现。戏曲发展史上,折子戏出现是一个重要的现象。陆萼庭先生

During the Shanghai World Expo in June 2010 organized by the Shanghai Kun Opera Troupe “ancient drama pay pass - the first session of China’s four major ancient drama performances with the forum ”, the author said in his speech: “can not enjoy the spectator audience , Is not a true audience. ”This remark may not be precise enough, but steal that you can peep insights into opera. This is also the characteristic of the existence and development of the play-telling opera, where the charm of the opera lies. The focus of the research on the play-off theater is the performance of the drama research on the performance of the stage performance. In the history of the development of opera, the emergence of the break-off theater is an important phenomenon. Mr. Lu Jianting