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1987年7月上旬,笔者有幸一睹正在北京中国美术馆举行的“全国建筑画展览”。这次画展是由中国建筑学会、《建筑师》、《建筑画》杂志社联合主办的,展出建筑画共300幅,画种多样,题材广泛,是近年来建筑界建筑表现方面的大展阅。这次画展给人最深刻的印象是新的艺术表现手法和工具已经被广泛运用于建筑表现领域。入展的300幅作品,除水粉、水彩渲染外,相当一部分作品是用马克笔、塑料彩笔、油画棒、拼贴画、针管笔加彩制作而成的。与水粉、水彩画相比,它们更显亲切、简洁、流畅、痛快,表现手法新颖别致、独具匠心。这些画作色彩丰富典雅,色彩之间相互
In early July 1987, the author was fortunate to see the “National Architecture Painting Exhibition” held at the China National Art Museum in Beijing. The exhibition was jointly organized by the Chinese Society of Architects, “Architects” and “Architectural Painting” magazines. It displayed a total of 300 architectural paintings, various kinds of paintings, and a wide range of subjects. It was an exhibition of architectural performance in the architectural field in recent years. read. The most impressive impression of this exhibition is that new artistic expression techniques and tools have been widely used in the field of architectural performance. In addition to the gouache and watercolor rendering, 300 pieces of the works entered were produced using markers, plastic markers, oil pastels, collages, and needle pens. Compared with gouache and watercolors, they are more gracious, concise, fluent, and happy. Their expressions are novel, unique and original. These paintings are rich in color and elegant, with mutual colors