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泰州市博物馆藏两幅康有为的书法真迹,《行书五言联》和《登日照观》。康有为书法之精湛,用笔有神,苍劲有力,由于这两幅藏品尚未发表,笔者有幸一睹其真迹,可谓荣幸之至。《行书五言联》以行书为主,间有行草,吸收了北碑庄重端方的态度,横竖笔画平直,铺笔而行;其余则放笔开张,重按轻提,行笔生动,通篇文字行走之间有工整之气势,同时由略显张扬的个性。《登日照观》为康有为游览泰山后有感而发,就创作形式上来说,以诗词最为精彩,见气势开张、浑穆大气的阳刚之美。逆笔藏锋,迟送涩进,运笔时迅起急收,腕下功夫精深,从中也可以看出康有为的运笔轻视帖法,全从碑出。转折之处常提笔暗过,圆浑苍厚。结体不似晋、唐欹侧绮丽,而是长撇大捺,气势开展。
Taizhou Museum possession of two Kang Youwei’s calligraphy, “five-line scriptures” and “boarding the sun view.” Kang Youwei calligraphy superb pen with God, vigorous and vigorous, because these two collections have not been published, I was fortunate enough to see the authentic, can be described as honored. “Five-character line of the book,” the main line of doing things, between the line of grass, absorbing the attitude of North Monument solemn side, horizontal and vertical strokes, shop line and pen; the rest put open pen, light press to mention, Throughout the text walking neat momentum, at the same time by the slightly publicized personality. “Deng sunshine view” after Kang Youwei visited Taishan felt, on the form of creation, the most wonderful poetry, see the imposing manner, the atmosphere masculine beauty. Anti-tibet Tibetan front, late delivery Shibujin, shipped quickly when the urgency of fast recovery, wrist effort deep, from which you can see that Kang Youwei despise method, all from the monument. The turning point often mention dark pen, round muddy thick. The body does not resemble the Jin, Tang Xuan side beautiful, but long write Na Na, the momentum to carry out.