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哲成先生于书法虽以行草见长,但各体皆能,尤其是早年魏碑的底子让他的书法充满北方才有的气派,苍茫雄浑,奇宕多姿。每次看他的书法都让我想起『风樯阵马』这四个字。他不屑于精雕细琢,也不刻意去追求来自于南方的婉约秀美。我知道他并不是不能精雕细琢,只是这不是他的性格。哲成先生于书法中每能发挥自己的真性情,不矫揉造作,也不扭捏修饰,而是完全顺乎自己的意愿,纵情挥洒。直直白白,无牵强造作之气,无法而法,无意皆意。对于他来说,这就是心灵中至真至纯的创作,是任何理性知识所无法代替的。所以,尽管
Although Mr Tseng Cheng calligraphy in the grass, but all can, especially in the early years of Wei monument to his calligraphy full of northern style, vast and powerful, odd and varied. Every time I read his calligraphy reminds me of the word “tycoon”. He disdains crafted, nor deliberately to pursue the graceful beauty from the South. I know he is not uncompromising, but this is not his character. In his calligraphy, Mr. Tseng Cheng can play his true nature. He does not make any mistakes or make any changes in his calligraphy. Straightforwardness, no pretentious spirit, unable to law, unintentionally. To him, this is the most pure creation in the mind, which no rational knowledge can replace. So, though