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去年金秋时节,在党的十五大召开后不久,合肥市歌舞团演出了配合城市工业经济体制改革的大型系列话剧《走进阳光》,受到省、市领导与观众的高度评价和热烈欢迎,省、市各大报纸连续登载了数十篇评价文章,电视台及时作了转播,兄弟地、市的剧团也派人前来观摩,连演三十余场在省城引起轰动,获得了较好的社会效益和经济效益。我任该剧的总导演,在导演构思及表现手法上作了一些新的尝试。 大戏剧家斯坦尼曾说过:构思中的基本问题是这个剧本可以给我们什么,它拥有怎样的主题思想,我们上演这个剧本是为了什么目的,我们需要怎样阐发这个剧本的主题思想,使它成为我们今天所需要的,有实际效果的思想,使它可以激动观众,激动导演。 要准确回答这些问题.导演的首要任务是熟读剧本。在我未熟读剧本之前,面对要回答
Last autumn of last year, shortly after the convening of the 15th National Congress of the Communist Party of China, Hefei Song and Dance Ensemble performed a large series of plays “Sunshine into the Sun” in line with the reform of urban industrial economic system and was highly appraised and warmly welcomed by provincial and municipal leaders and audience. Provincial and municipal newspapers published dozens of articles, television stations in a timely manner broadcast, brothers, the city’s troupe also sent to observe, even playing more than thirty games in the provincial capital caused a sensation, get better Social and economic benefits. As the director of the show, I made some new attempts on the director’s concept and expression. The big theatrical artist Steinni once said: The basic question in the design is what the script can give us, what the theme idea it possesses, what purpose we put on the script, how we need to elucidate the theme of the script, It is what we need today to have realistic results that inspire the audience and excite the director. To accurately answer these questions, the director’s primary task is to familiarize himself with the script. Before I read the script, the face to answer