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地处长江中游的湖北民间美术以其浓郁的地域性、鲜明的民间性和独特的审美形态体现了楚国先民们本真的生活形态。它的原始性和原创性保留着楚域的历史民间艺人对“天人合一”的诉求和“生生为易”的向往。对湖北民间美术的生态美学维度的解读,可以分析出地方民间美术中敏锐的生态信息,挖掘其中隐形的生态审美智慧。以期探索出的生态审美经验能丰富中国民间美术的学科理论基础,拓展其研究角度和深度。
Hubei folk art, located in the middle reaches of the Yangtze River, embodies the true life style of the ancestral people in Chu State with its rich territoriality, distinctive folk character and unique aesthetic form. Its originality and originality keep the longing for the historical folk artists in Chu domain to appeal to “harmony between man and nature” and “make life easier”. The interpretation of the ecological aesthetic dimension of Hubei folk art can analyze the acute ecological information in local folk art and excavate the invisible ecological aesthetic wisdom. With a view to explore the ecological aesthetic experience can enrich the theoretical basis of Chinese folk art, expand its research perspective and depth.