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在将近20年的时间里,克里斯蒂安·豪格(Christian Houge)一直用摄影或影像作为工具进行艺术创作,沉浸在与自然和文化相关主题的探索中,探讨人类与自然共处过程中所产生的禁忌以及人的终极自身问题。如果观者认真地品味一下不难发现,豪格的作品实际上总是把我们的思绪引向一个特别的场域—绝境。这个绝境既可以是人迹罕至的荒郊野外,也可以是人类难以存活的自然环境,这样的环境包括冰天雪地、火山区、高原雪线,甚至是深入地下、纵横交错的矿井、隧道等等。然而这些远离喧嚣的绝域也是反思人与自然关系的最佳场所。
For nearly 20 years, Christian Houge has been using photography or video as a tool for artistic creation, immersing himself in the exploration of topics related to nature and culture to explore the relationship between humans and nature Taboo and the ultimate problem of human beings. It is not hard to find out if the viewer is serious about the taste, Haug’s work in fact always leads our thoughts to a special field - desperation. This extremity can be both a desolate wild country and a natural environment that humanity can not survive. Such environments include ice and snow, volcanic areas, plateau snow lines, and even underground and criss-crossing mines and tunnels. However, these far from the hustle and bustle of the domain is also the best place to reflect on the relationship between man and nature.