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在西方绘画史中,文艺复兴之前,壁画曾是一种主要的绘面手段,它面向群众而服务于宗教。真正为劳动者自身服务的现代壁画艺术,应该说是从墨西哥以里维拉、奥罗斯科、西盖罗斯等为首的一群画家开始的。狄埃哥·里维拉被誉为墨西哥的“壁画之父”。他早年曾去欧洲考察多年,深深地被意大利的古代“湿壁画”所感动。他对后印象派中高更、塞尚的艺术也十分感兴趣,甚至在他的一些壁画创作中还融入了“立体主义”的一些成分。里维拉是一个热爱祖国、有着深厚民族情感的革命思想的人。1921年他参加了共产党,并借着祖国的革命潮流在墨西哥掀起了一场声势浩大的壁画运动。他的作品大都以
Before the Renaissance, in the history of western painting, the mural was once a major means of painting, serving the people and serving the religion. The modern mural art that truly serves the workers themselves should start with a group of painters led by Mexico, including Rivera, Orozco, and Saigeros. Diégo Rivera is known as Mexico’s “father of frescoes.” He had visited Europe for many years in his early years and was deeply touched by the ancient “wet murals” of Italy. He is also very interested in Post-Impressionist Gauguin and Cezanne’s art, and even incorporates some elements of “Cubism” in some of his fresco creations. Rivera is a person who loves the motherland and has a revolutionary idea of deep national emotion. In 1921 he joined the Communist Party and, with the revolutionary trend of the motherland, launched a massive fresco movement in Mexico. Most of his works