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中国书法源远流长,善书者辈出。至明清之际,书者逐渐从“阁体”的束缚中觉醒,他们追求解放个性,合情调于纸上;锐意求新、穷变化于毫端。浙江省博物馆藏书画万件有余,属珍贵文物的古代书法作品近3000件,其中,又以明、清时期的书法作品所占比重为大。本文试图通过对部分馆藏明清书法精品的赏析,展现两朝书风的多样性和全面性,以此来勾勒明清书坛纷纭格局。
Chinese calligraphy goes back to ancient times, good books come forth in large numbers. By the time of the Ming and Qing Dynasties, the writers gradually awakened from the shackles of the “cabinet”. They pursued the liberation of their individuality and adjusted their affections on paper; There are more than 10,000 pieces of calligraphy and paintings in the Zhejiang Provincial Museum, which are nearly 3,000 pieces of ancient calligraphy of precious cultural relics. Among them, the proportion of calligraphic works in the Ming and Qing Dynasties is also large. This article tries to show the diversity and comprehensiveness of calligraphic style in the two dynasties through the appreciation of the collection of calligraphic works in the Ming and Qing dynasties.