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读阮文辉大师《“天人合一”与“人合于天”》(载《黄河石友》第四期),受益匪浅,有茅塞顿开之感。掩卷长思,细细回味,笔者认为阮大师实际上提出了赏石的境界问题。依笔者拙见,天合于人、人合于天、天人合一,乃赏石的三步曲、三台阶、三境界。天人之间的关系,自然与人之间的关系,从某种意义上讲,即主要是客观与主观的关系,也就是“天意”与人意的关系,具体表现在赏石知识、赏石标准、赏石经验、赏石心理、赏石行为等方面。提出赏石三境界问题,将有助于普及奇石文化,提高赏石水平。人意强求天意,天合于人,此乃赏石之第一境界天合于人,并非天意,而是人意强求的结果。一些人觅石、赏石,一切从主观愿望出发,从传统的且非常有限的知识出发,凭个人好恶、兴趣去评石、择石,赏石水平低层次循环或提高缓慢。艺术思维的基本特征,就是取“象”并在“象”的转换与交流中提炼或使“象”得到升华,从而创造出艺术形象。中国传统思维的框架和方法,都基于取“象”并在“象”的转换和流动中完成思想的产生,突出表现一是在汉字的构字法中,不仅象形,而且指事、会意和形象,其所构造的字,都是以形表意或以象形性为
Reading Master Nguyen Van Hin “” harmony between man and nature “and ” people together in the day “(containing” Yellow River Friends “fourth period), benefit greatly, there is a sense of openness. Cover long winding, meticulous aftertaste, I think that Master Ruan actually put forward the realm of stone appreciation. According to my humble opinion, amalgamation of people, people in harmony with heaven and earth, is a three-step song, three steps, three realms. The relationship between man and nature, the relationship between man and nature, in a sense, that is, the relationship between objective and subjective, that is, the relationship between ”God’s will“ and human intentions, embodied in the knowledge of stone appreciation, Stones standards, experience of stone appreciation, stone appreciation, stone appreciation and so on. Put forward the three realm of stone appreciation, will help popularize the stone culture, improve stone level. Intentions of mankind in seeking God’s providence, a coincidence of people, this is the first realm of rewarding the soul of heaven, not God, but the result of human desire. Some people find stone, stone, all starting from the subjective desire, starting from the traditional and very limited knowledge, with personal likes and dislikes, interest to evaluate stone, stone, rock level low-level cycle or slow increase. The basic characteristic of artistic thinking is to take the ”elephant“ and to refine or ”sublimate“ the ”elephant“ in the transformation and exchange of the ”elephant“ so as to create the artistic image. The framework and method of Chinese traditional thinking are based on taking the ”elephant“ and completing the production of thoughts in the transformation and flow of ”Xiang ". The first manifestation is that not only the pictogram, but also the pictogram, Things, ideas and images, the words they are constructed are based on the shape or pictographic