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利亚姆·欧福拉赫蒂的短篇小说《春播》表面上描写的是马丁和玛丽小两口的第一次农耕生活。小说文本把时间、空间的跨度局限在初春进行春播的一天之内,情节平铺直叙,描写细致丰满。然而,实现对文学文本的完整解读仅凭文本本身是远远不够的。根据接受美学的理论,文本虚构意义的实现还依赖于读者再次创作的参与。该短篇小说富含隐喻文字,因此给读者提供了巨大的参与二次创作的空间,从而尽可能去实现文本所表达、能表达的意义。经过仔细品读的读者在文本之下会发现另一个隐喻的世界,一个令我们倍感亲切温暖的精神世界。
Li Yimou Fu Lahedi’s short story “Spring Sowing” on the surface is described as the first Martin and Mary farming life. The text of the novel limits the span of time and space within a day of spring sowing in early spring. The plot is plausibly narrated and described in detail and fullness. However, it is far from enough to realize the complete interpretation of literary texts by themselves. According to the theory of accepting aesthetics, the realization of the fictional meaning of the text also depends on the reader’s re-creation of participation. The short story is rich in metaphorical text, thus providing readers with a huge space for participating in the second creation, so as to achieve the meaning expressed in the text and expressed as far as possible. After careful reading, the reader will find another metaphorical world beneath the text, a spiritual world that gives us a feeling of intimacy and warmth.