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在2012年初,郑钰即将以意大利佛罗伦萨美术学院(Accademia di Belle Arti di Firenze)视觉艺术和新语言表现研究生华人历史上最优成绩毕业前,她来到北京为毕业论文进行调研和采访,并系统地走访了数位拥有“西方”背景的国际华人艺术家,此次调研采访过程让郑钰更系统地认识了“社会雕塑”(Social Sculpture)作为一种意识形态,对中国当代艺术的影响。而不同于大多出生在60年代,
At the beginning of 2012, before coming to Beijing for graduation thesis studies and interviews with Zheng Yu, who will present the best results in the Chinese history of Visual Arts and New Language Visual Arts and New Languages at the Accademia di Belle Arti di Firenze, Visited a number of international Chinese artists with a “Western” background. During the interview, Zheng Yu systematically recognized Social Sculpture as an ideology of Chinese contemporary art. influences. Unlike most, born in the 1960s,