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2005年开始之际,老朋友李岩给我打电话,说榆林的朋友们发起并策划“影像榆林”摄影展览。在这个旧历的岁末,这个消息让处在影像思维“冬竭期”的我产生了一种冲动和不平静。故乡榆林深厚的传统文化、独特的人文景观和蓬勃的当代进程使我和同道的影友们早就意识到她是一个影像宝库,取之不尽,用之不完,榆林可能让那些伪现实主义者们感到男人头上的羊肚子手巾没了,黑窑洞前穿着小花棉袄的女孩少了,黄河边年长的人皱纹浅了,他们“创作”的源泉干涸了,可全新的影像思维和变幻中的榆林将会使榆林当代影像真正开始觉醒。这些年,我自己丝毫不敢懈怠,将自己原有的那种唯美、抒情和内心晦涩的旧影像观舍弃,并注家乡的人、家乡将要消失的人文景观。在教学之余,将有限的精力和学习掌握的一些新的影像表达方式,毫无保留地倾注在定边南部山区的沟沟岔岔,有收获,但更多的收获是不断寻求的过程。与此同时,我也看到了朋友们影像的觉醒,看到他们的作品,想想我从影20多年,绝大部分时间都不会拍照片,或者说没有拍到要拍和应该拍的照片。李岩在文学方面的本土意识和当代意识思考与创作早已闻名遐迩,在影像上他也不示弱。一组陕北城镇透过平实,拍到陕北人文的渊源,他
At the beginning of 2005, Li Yan, an old friend, called me and said that friends in Yulin initiated and planned “Photo Yulin” photography exhibition. At the end of the Lunar New Year, the news gave me an impression of impulsivity and discontent in my image-thinking winter. Hometown Yulin profound traditional culture, unique cultural landscape and thriving contemporary process so that my fellow friends and I have long been aware that she is a treasure house of images, inexhaustible, inexhaustible, Yulin may allow those false reality The activists felt that the sheep’s belly-napkin had disappeared from the man’s head. There were fewer girls wearing cotton flower-jacket in front of the black cave. Older people in the Yellow River had less wrinkles and their source of “creation” was dried up. A brand new image Yulin in thinking and change will make Yulin contemporary images truly begin to awaken. In recent years, I have not dared to slack off myself. I gave up my original old-fashioned concept of aesthetics, lyricality and inner conviction, paying attention to my hometown and my hometown’s disappearing cultural landscape. In addition to teaching, the limited energy and some new video expressions learned and learned are rewarded with unreserved devotion to the ditch and furrow in the mountainous areas in the south of Dingbian. However, more harvesting is a process of continuous pursuit. At the same time, I also saw the awakening of my friends’ images. When I saw their works, I thought I would not take pictures or filming most of the time for more than 20 years. Li Yan has long been known for his native and contemporary awareness and creation in literature, and he is not weak on the images. A group of towns and cities in northern Shaanxi through plain, photographed the origins of Northern Shaanxi, he